MURAKAMI'S PARALLEL WORLDS

  • Светлана В. Грубoр
Keywords: Haruki Murakami, parallel worlds, alternative reality, The Wind-Up Bird Chronicle, 1Q84, Norwegian Wood

Abstract


Parallel worlds, alternative reality, interspace, these are the elements that are very noticeable in the works of Haruki Murakami. The other world is a place where its protagonists go in the hope that they will find the truth about themselves there. The search for identity, multiple personality disorder, alienation, loneliness, lack of inventiveness and the problems of modern society are refracted through the prism of parallel worlds that he creates in his works. Lost in the whirlpool of hopelessness, with blurred emotions that are triggered by the harsh reality of life, his characters find their place in that distorted picture of reality. This paper deals with the study of parallel worlds as a phenomenon that Haruki Murakami uses when he sculpts his characters and shapes his novels. The novels The Wind-Up Bird Chronicle, 1Q84 and The Norwegian Wood have been analyzed. Parallel worlds into which Murakami's protagonists enter have been presented, as well as alternative reality as a mechanism for completing the image of a human being and his life phases.

References

ИЗВОРИ
Мураками 2011: Haruki Murakami. Ljetopis Ptice Navijalice. Vuković&Runjić, Zagreb, [е-book].
Мураками 2018а: Haruki Murakami. 1Q84, knjiga 1. Geopoetika, Beograd.
Мураками 2018б: Haruki Murakami. 1Q84, knjiga 3. Geopoetika, Beograd.
Мураками 2018в: Haruki Murakami. Norveška šuma. Geopoetika, Beograd

ЛИТЕРАТУРА
Аткинс 2012: Midori Tanaka Atkins. Time and space reconsidered: the literary landscape of Murakami Haruki. Phd Thesis. SOAS, University of London.
Бауселс 2014: Marta Bausells. Haruki Murakami:’My lifetime dream is to be sitting at the bottom of a well’. The Guardian, https://www.theguardian.com/books/booksblog/2014/aug/24/haruki-murakami-my-lifetime-dream-is-to-be-sitting-at-the-bottom-of-a-well, pristupljeno: maj 2019.
Дил 2007: Jonathan Dil. Murakami Haruki and The Search For Self-Therapy. University of Canterbery.
Гордић 2015: Isidora Gordić. Iz tradicije…- Bezdan koji čuva tajnu večne mladosti- simbolika bunara. https://www.prozorivrata.com/iz-tradicije-bezdan-koji-cuva-tajnu-vecne-mladosti-simbolika-bunara/, pristupljeno: septembar 2019.
Милн 2009: Ira Mark Milne. Postmodernism, Literary Movements for Students, Second Edition, Volume 2, Gale, Cengage Learning.
Мураками 2005: Fuminobu Murakami. Postmodern, feminist and postcolonial currents in contemporary Japanese culture. Routledge, London and New York 51-53.
Стречер 2014: Matthew Carl Strecher. The Forbiden Worlds of Murakami. University of Minnesota Press.
Трит 2018: John Whittier Treat. The Rise and Fall of Modern Japanese Literature. The University of Chicago Press, Chicago 249-273.
Васић Ракочевић 2012: Branislava Vasić Rakočević. Svet sa dva meseca. Letopis jul-avgust, Novi Sad, str. 239.
Јошимура 2019: Chiaki Yoshimura. Murakami says SNS feels ‘creepy’ with opinions in ‘sleazy words’. http://www. asahi. com/ajw/articles/AJ201903180005. html, pristupljeno:avgust 2019.
Published
2020/11/12
Section
Članci