From the “Eumenides” to “Ajax”: The Tragedy of International Criminal Law

Tiphaine L. Dickson

doi:10.5937/socpreg52-15357

Tiphaine L. Dickson Portland State University

DOI: https://doi.org/10.5937/socpreg52-15357

Ključne reči: Legalism||, ||legalizam, Jury trials||, ||suđenje sa porotom, The Eumenides||, ||Eumenide, History of International Criminal Law||, ||istorija međunarodnog krivičnog prava, Robert Jackson||, ||Robert Džekson, Nuremberg||, ||Nirmberg, International criminal law||, ||međunarodno krivično pravo,

Sažetak

Ovaj rad bavi se preispitivanjem glavnih struja u pristupu međunarodnom krivičnom pravu kao i takozvanom kritičkom pristupu tom problemu. Akcenat je dat ne samo na metaforičko stvaranje mitova koje ovi pristupi nude povodom pravne legitimnosti i pravosudnog porekla postojećih ad hoc tela, već i na čudnovato oslanjanje na starogrčki teatar u veličanju značaja koje su navodno nirmberška suđenja imala kao presedan u daljem razvoju međunarodnog krivičnog prava. Članak zatim prati evoluciju koju je Eshilova tragedija Eumenide imala u atinskoj literaturi, naglašavajući rani optimizam rođen s prvim suđenjem uz učešće porote, do mnogo mračnijih tonova koji se u Atini pojavljuju onog trenutka kada cena njenih imperijalističkih avantura postaje jasnija, što je ubedljivo predstavljeno u Sofoklovoj drami Ajant, a docnije i u Tukiditovom opusu Peloponeski ratovi.

Biografija autora

Tiphaine L. Dickson, Portland State University

Redovni profesor filozofije

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Od Eumenide do Ajanta: Tragedija međunarodnog krivičnog prava

Sažetak

Biografija autora

Reference