Anticipacija postmodernih umetničkih praksi u popularnoj kulturi: Bitlsi

Nikola T. Božilović; Miloš B. Tasić

doi:10.5937/socpreg53-22141

Nikola T. Božilović Univerzitet u Nišu, Filozofski fakultet, Departman za sociologiju
Miloš B. Tasić Univerzitet u Nišu, Mašinski fakultet, Katedra za društvene nauke

DOI: https://doi.org/10.5937/socpreg53-22141

Ključne reči: popular culture||, ||popularna kultura, postmodernism||, ||postmodernizam, pop-rock music||, ||pop-rok muzika, the Beatles||, ||Bitlsi, intertwining of music styles||, ||prožimanje muzičkih stilova,

Sažetak

U radu se ukazuje na brisanje podele umetnosti na „visoku“ i „popularnu”, s posebnim osvrtom na popularnu muziku koja u datim okolnostima usvaja određene estetske standarde klasičnih muzičkih formi. Takođe se analizuje i obrnuti proces: popularizacija klasične muzike, u kompozitorsko-aranžerskom i izvođačkom smislu. Naročita pažnja posvećena je ulozi, statusu i domašaju popularne kulture/umetnosti u savremenim postmodernim poduhvatima. U tom kontekstu, Bitlsi predstavljaju paradigmatičan primer, budući da su u svojoj muzici koristili obilje postmodernih stvaralačkih postupaka. Autori ovoga rada izvršili su analizu dva karakteristična albuma Bitlsa (Sgt. Pepper’s Lonely Hearts Club Band i The Beatles, poznatiji kao „Beli album”) u kojima su primenjeni ključni principi postmoderne estetike.

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