Аnticipation of Postmodern Artistic Practices in Popular Culture: The Beatles

  • Nikola T. Božilović Univerzitet u Nišu, Filozofski fakultet, Departman za sociologiju
  • Miloš B. Tasić Univerzitet u Nišu, Mašinski fakultet, Katedra za društvene nauke
Keywords: popular culture, postmodernism, pop-rock music, the Beatles, intertwining of music styles,

Abstract


The paper points to the disappearance of the division of art into ’high’ and ’popular’, with a particular emphasis on popular music, which under given circumstances adopts certain aesthetic standards of classical music forms. The authors also analyse the reverse process: the popularisation of classical music, in the composing-arranging and the performing sense. Particular attention is paid to the role, status and reach of popular culture/art in contemporary postmodern ventures. In this context, the Beatles represent a paradigmatic example, due to the fact that they used a plethora of postmodern creative procedures. The authors conduct an analysis of two characteristic Beatles’ albums (Sgt. Pepper’s Lonely Hearts Club Band and The Beatles, known as ’The White Album’) that incorporate the key principles of postmodern aesthetics.

References

Bauman, Z. (2009). Liquid Life. Novi Sad: Mediterran Publishing. [In Serbian]

Borthwick, S. & Moy, R. (2010). Popular Music Genres. Beograd: Clio. [In Serbian]

Božilović, N. (2016). Studies on the Popular. Niš: Filozofski fakultet u Nišu. [In Serbian]

Core, P. (2003). CAMP: The Lie That Tells the Truth. Beograd: Rende. [In Serbian]

Dynes, W. R. (1990). Camp. In: W. Dynes et al (eds.) Encyclopedia of Homosexuality, 189–190. New York: Garland Publishing Company.

Eagleton, T. (1997). The Illusions of Postmodernism. Novi Sad: Svetovi. [In Serbian]

Featherstone, M. (2007).Consumer Culture and Postmodernism. London: Sage Publications.

Fiske, J. (2001). Understanding Popular Culture. Beograd: Clio. [In Serbian as Popular Culture]

Frith, S. (1987). The Sociology of Rock. Beograd: IIC, CIDID. [In Serbian]

Gans, H. (1974). Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York: Basic Books.

Gleed P. (2006), The Rest of You, If You’ll Just Rattle Your Jewelry: The Beatles and Questions of Mass and High Culture. In: K. Womack and T. F. Davis (eds.) Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four. Albany: State University of New York Press.

Greene, D. (2016). Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. Jefferson, NC: McFarland.

Hobsbawm, E. (2014). Fractured Times. Beograd: Arhipelag. [In Serbian as End of Culture]

Jameson, F. (2015). End of Art or End of History. Beograd: Art Press. [In Serbian]

Janković, A. S. (2009). The Long and Winding Road: The Beatles as a Cultural Artefact. Beograd: Red Box. [In Serbian]

Lipovetsky, G. (2008). The Paradoxical Happiness: Essay on Hyperconsumption Society. Sremski Karlovci, Novi Sad: Izdavačka knjižarnica Zorana Stojanovića. [In Serbian]

Lynes, R. (1954). Tastemakers. New York: Harper Brothers.

Lyotard, J-F. (1988). The Postmodern Condition. Novi Sad: Bratstvo-Jedinstvo. [In Serbian]

MacDonald, I. (2012). Revolution in the Head: The Beatles Records and the Sixties. Beograd: Clio. [In Serbian]

Maširević, Lj. (2011). Postmodernism and Film in the Example of Quentin Tarantino’s Filmography. Beograd: Čigoja štampa, Institut za sociološka istraživanja Filozofskog fakulteta u Beogradu. [In Serbian]

Shils, E. (1961). Mass Society and Its Culture. In: N. Jacobs (ed.) Culture for the Millions, 81–87. New York: D. Van Nostrand Comp.

Shuker, R. (2001). Understanding Popular Music, 2nd ed. London and New York: Routledge.

Stevenson, N. (2007). David Bowie: Fame, Sound and Vision. Beograd: Clio. [In Serbian]

Storey, J. (2012). Cultural Theory and Popular Culture: An Introduction, 5th ed. Harlow: Pearson Education.

Strinati, D. (2004). An Introduction to Theories of Popular Culture, 2nd ed. London and New York: Routledge.

Tasić, J. (2019, May 23). The King of Waltz. Danas, str. 11. [In Serbian]

Whitley, E. (2000). The Postmodern White Album. In: I. Inglis (ed.) The Beatles, Popular Music and Society: A Thousand Voices, 105–126. Basingstoke: Palgrave Macmillan.

Winters, J. J. (2017, June 2). After 50 Years, The Beatles’ ‘Sgt. Pepper’ Still Holds Up Brilliantly. Wbur.org. Available at https://www.wbur.org/artery/2017/06/02/beatlessgt-peppers-lonely-hearts

Published
2019/08/30
Section
Original scientific paper