Heidegger - the formation of modern aesthetics and art as the appearance of culture

  • Saša Ž. Radovanović University of Kragujevac, Faculty of Philology and Arts
Keywords: aesthetics, culture, Martin Heidegger, René Descartes, being, truth, art

Abstract


The paper analyzes Heidegger's views on aesthetics and art in the epoch of the new century. First, it is shown how Heidegger defines the general concept of aesthetics. Then the role of Descartes' philosophy in establishing the Being and the truth as a certainty in the epoch of the new century is shown. Modern aesthetics and art are formed within such a change of being and truth. Modern aesthetics and art are formed within such a change of being and truth. In modern aesthetics, feeling and beauty are connected and taste, subjective judgment, is placed as a central concept. On the other hand, art is presented as a cultural phenomenon that distances itself from the Christian concept of art.

References

Baumgarten, A. G., & Mirbach, D. (2007). Ästhetik. Felix Meiner Verlag.

de Tokvil, A. (2002). O demokratiji u Americi. Izdavačka knjižarnica Zorana Stojanovića.

Heidegger, M. (1961). Nietzsche (Vol. 2). Günther Neske.

Heidegger, M. (1985). Nietzsche: Der Wille zur Macht als Kunst. Vittorio Klostermann.

Heidegger, M. (1989). Beiträge zur Philosophie (Vom Ereignis). Vittorio Klostermann.

Heidegger, M. (1994). Holzwege. Vittorio Klostermann.

Radovanović, S. Ž. (2015). Hajdegerovo pitanje o bivstvovanju i pitanje o umetnosti. Sinteze - Časopis Za Pedagoške Nauke , Književnost i Kulturu, 4(7), 45–51. https://doi.org/10.5937/sinteze0-8499>

Фери, Л. (1994). Homo Aestheticus: Откриће укуса у демократском добу. Издавачка књижарница Зорана Стојановића.

Published
2023/03/16
Section
Original Scientific Paper