SUPERMARKET THEATRES, OVERSUPPLY OF LABOUR AND NEW HOLDERS OF CAPITAL IN GREEK THEATRE DURING THE DEBT CRISIS (2010-2019)

Tasos Angelopoulos

doi:10.5937/politeia0-35550

Tasos Angelopoulos School of Drama, Aristotle University of Thessaloniki https://orcid.org/0000-0002-5170-0731

DOI: https://doi.org/10.5937/politeia0-35550

Ključne reči: грчко позориште, економска криза, позоришта супермаркети, Пјер Бурдје, теорија поља, Оназис Стеги, дипломци драмске школе

Sažetak

Користећи методологију Пјера Бурдијеа, овај чланак покушава да одрази промјене унутар позоришне бранше у Грчкој током десет година економске кризе (2010-2019). У чланку су јасно означене девијације на позоришној сцени Грчке, као што су претјеран уплив радне снаге и замјена позоришта једним умјетничким отиском који се овдје назива позориштем-супермаркетом. Поред тога, пратимо напор Стегија (у власништву Фондације Оназис) да постане кључни играч на овом пољу, заузимајући некадашњу позицију Позоришта Аморе. На крају, закључује се да ова бранша – једним дијелом и због пандемије која је услиједила након економске кризе – одолијева потпуном оцртавању граница пошто се појављују нове иницијативе и групације унутар ње.

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ПОЗОРИШТА-СУПЕРМАРКЕТИ, ПРЕТЈЕРАНИ УПЛИВ РАДНЕ СНАГЕ И НОВИ ИГРАЧИ У ПОЗОРИШНОЈ БРАНШИ ТОКОМ ДУЖНИЧКЕ КРИЗЕ У ГРЧКОЈ (2010-2019)

Sažetak

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